Saturday, August 15, 2015

When I conformed to this world, 
When both of my feet were whirled, 
I accepted less than I deserved, 
My vision overshadowed what I observed. 

Everything was simply just fine, 
I didn't receive what was mine, 
I walked life's journey shortchanged, 
My circumstances were unchanged, 

When your life starts to foreshadow, 
The shining light casts a shadow, 
People start to look at you funny, 
Just when your world gets sunny. 

It wasn't up until I cared less, 
Everyone is in some sort of a mess, 
It's a miracle, eyes have not seen, 
Some people work hard just to stay clean. 

I changed my mind and my life,  
I claimed what's mine and my wife, 
I'm attacked for my strong core, 
I'm dearly loved and I deserve more. 

Transformation 

Friday, August 7, 2015


Getty Images
Getty Images
Sell more books

There’s an unspoken rule that when you are asked to speak at an event, you have something tangible to provide or sell in the back of the room. It’s marketing 101 for speakers. Writing a book is easier than people may think (stay tuned for that article). However, marketing and selling a book is where the challenge lies and is far more difficult. You have to engage your audience, in advance, and build up anticipation. You have to give them good reason to part with their hard earned money, just like you would for your other product or services. What are they going to get out of your book? That’s what you need to focus on when you are marketing and selling your book.

I was asked to speak at an event in Portland. It was three weeks away. I had no book. So, I wrote one. The cart came before the horse and I had no time to market my book in advance. When life gives you lemons, you make lemonade. The speaking event is over and now I have a book to market and 35 entrepreneurs and writers were kind enough to share their thoughts on successful book marketing tactics. Although I wasn’t able to build up anticipation and market my book six months in advance, I certainly plan on taking advantage of more than a few of the sage and practical tips below.

Get an ISBN#. Anyway, I have an e-book called Cold Calling for the Clueless and I did all the typical steps, hiring an editor, hiring a cover designer and formatter but, the step that I did which I don't think a lot of folks do is get an ISBN number. Amazon won't sell a book without it. At the time I paid the $75 and it was so worthwhile as I now sell it on Amazon and BN.com. Ceri, www.itsyourcall.com

Create a postcard. Design postcards and have them with you at all times...in your purse or car. Hand them out or put them on Community Bulletin boards. They’re an inexpensive way to promote yourself to the general public. Jennifer Vanderslice, www.MoonGlowPR.com

Participate in local author groups.Network, network, network! Attend events where you know you can meet local media people. Every time you go out in public, it’s an opportunity to promote your book. Jennifer Vanderslice, www.MoonGlowPR.com

Use the right keywords. Understand the power of Keywords in your book descriptions. Reading your on-line reader reviews can provide useful insights; for example, one very favorable reviewer said she always searched for books about medieval life, so those two words went right into my Keywords. Octavia Randolph, www.OctaviaRandolph.com

Create series. Write more than one book, preferably a series concerning the same subject or characters. Once you have your first truly good book, write a second, and a third. There is great synergy between titles. Octavia Randolph, www.OctaviaRandolph.com

Build your crowd first. One tip that I would share with authors considering self-publishing is to build their audience before releasing the book. Have a blog, use social media, start a podcast, do interviews, guest blog posts, whatever it takes to build an email list of engaged audience members. Ryan Hanley, www.ryanhanley.com

Check local spots for speaking opportunities. Many places often look for speakers, including libraries and local bookstores. Sometimes Cultural Councils will provide grants to do historical talks related to your books. Also, several of my historical novels have led me to begin working on non-fiction books as well. Carla Charter

Be sure to write a good book! Even if the book is free, readers still expect the writer to produce a quality work, with a proper cover, appropriate formatting and a mistake-free text. If you can provide them with a pleasant experience, they just may buy more or the rest of the series. Martin Rouillard, www.martinrouillard.com

Use the end as the beginning. Once you captivated your reader and succeeded in bringing them all the way to the end of the story, why not capitalize on this work with a few pages aimed at bringing the reader to your other books. I always include the first chapter of the next book in the series, as well as high-resolution cover image and links to buy the book. It’s also a great place to put a compelling author’s bio and any other marketing ideas an author may have. For example, I recently ran a contest where if readers sent me a link to a review they left with online retailers, they became eligible to win an exclusive print edition of all three books, available only through this offer. The result was many good reviews on Amazon, iTunes and other retailer’s websites, for a relatively minimal cost. Martin Rouillard, www.martinrouillard.com

Set the table. Have your online presence in place and secure BEFORE publishing. I thought I did and then, when I got on TV my website couldn't handle the traffic (which I was promised it could by the host). This was before social media, so also secure those now also. Carolyn Wilman, www.contestqueen.com

Be the expert. Establish yourself as an expert in the field. I have with many media outlets and now they call me when they are writing an article on winning, luck, sweepstakes, etc. Carolyn Wilman, www.contestqueen.com

Refine your niche. My books are baby books, but dedicated to cognitive development (that is my niche). Sophie Helenek, www.nurserybooks.net

Proper link management. Amazon now has 14 storefronts around the world (with 11 storefront-specific affiliate programs). If you are an author with an international following you need to make sure your marketing links are sending your readers from around the world to the place they’re able to purchase your books. BookLinker was created specifically for independent authors, small book publishers, and bloggers marketing books to a global audience via branded short URLs and basic reporting. With awesome short URLs like “mybook.to” and “viewauthor.at,” your readers will know exactly what they’re getting into, and will be able to purchase or download your book from their local Amazon storefronts. This means no more error messages or bad purchasing experiences from ending up in a store where they don’t know the language, or don’t have an account to make the purchase. Jesse Lakes, GeoRiot.com

First impressions still matter. Ensure all of your marketing materials are polished and über professional. Because of the perception that self-published books may not be first-rate, I invested time and money to make sure all of my marketing materials—from my speaker’s kit and press releases to my business card, website, and workshop flyers —were just as good, if not better, than those created by large publishing houses. The quality of my materials sends the message that I have a quality book, which I do! Chaz Pitts-Kyser, www.thebook.careeranista.com

Do your research. Find out the pros/cons to self-publishing vs. traditional. It requires a lot of work and you definitely want to know and understand all that it truly entails. The traditional way of publishing a book through a large publishing house allows you to put the majority of your focus on writing your manuscript versus wearing the multiple hats of writer, publisher, marketer etc. Patrice Tartt, www.PatriceTartt.com

Exploit current events. My number one tip is to tie your book into a recent event that was in the news. I realized early on that producers want you on their show to either entertain or inform - they don't want you to just talk about your book. When the economy took a nosedive a few years ago, I was able to show how my family lived off my teacher's salary. www.dannykofke.blogspot.com

Don’t give up. My second tip is to keep pitching. Some producers receive over 1,000 emails a day! Just because you don't get a response doesn't mean they are not interested. They may have just over-looked it. Keep pitching! Danny Kofke, www.dannykofke.blogspot.com

Enlist your current supporters. I offered my list a chance to read the book for free if they offered a review. One-third of the list responded. My book won't be released until April 15, so I won't know how many of them will make good on that commitment until then, but the feedback I've received so far tells me that most of them will follow through I've had some tell me they've already written their reviews and saved them for easy upload later. On the launch date, I should have a good number of reviews and perhaps even some early pre-orders that will drive the book to greater popularity. Allen Taylor, tayloredcontent.com

Toot your own horn. Submit your book for awards. Our books have won three awards, which gives you lots of credibility. Lisa Cohn, www.bashandlucy.com

Consistency. Only blog if you can do it regularly. An unmaintained blog on an author's site looks much worse than no blog at all. The same goes for social media - pick one or two channels that you'll actually use and concentrate on those. There's no point in having a Twitter link on your site to a Twitter account you never update. You probably only get one or two clicks from most users on your site. Don't waste them on that. Ian Rose, quarterreads.com

Share the wealth. Be willing to give away books - don't be stingy! Influence the Influencers. We brainstormed all the people who influenced our ideal reader. Whether it was someone with a sales podcast or a Vice President of Sales, they all influenced our readers who are salespeople and business owners. So, we got their mailing address and sent them an autographed copy of our book. We knew if this person liked it, they would talk about it and share it with the group that they influence and it worked. If you want to sell books as an independent author/publisher you must be willing to give some away. Andrea Waltz, www.goforno.com

Maximize social media. A lot of times as self-published authors, one feels as if all you have to do is a website, Facebook, twitter, Instagram representing the book and that is it. While yes, it is important to have all of those networks under your belt, you have to ensure that you are engaging your followers, obtaining more followers outside of your family/friends, and making sure you stay mindful for your followers that are in totally different time zone than you. Use sites like socialoomph.com, justunfollow.com, and or hootsuite.com. They allow you to strategically gain followers and schedule post to out automatically on several different social networks at a time. Ni'cola Mitchell, www.nicolacmitchell.com

Speak on it. Conduct keynote addresses and sell the books with the address there is nothing better than having 1000 people walk around with copies of your book. Drew Stevens Ph.D., stevensconsultinggroup.com

Switchback. Write articles and blog posts and tie them back to your book website so that people click on the link and buy. Drew Stevens Ph.D., stevensconsultinggroup.com

Lend me your ear. Audio books are all the rage because...they are all the rage. Look at all the people with headphones on riding BART to work. Do you think they are all listening to rap? In addition, the Audible.com contract is extremely favorable to authors who narrate their own books. Scott Hammond, PhD

Get creative. Last February, I promoted my Figure Skating Mystery series by partnering with Olympic Gold medalist Dick Button. I produced his live Figure Skating Twitter coverage, and I promoted my books during the commercial breaks. Sales went up 400% and the books were Amazon best-sellers. Alina Adams, www.AlinaAdams.com

Can you write in front of an audience? I am promoting my romance novels by writing my next romance novel live at www.AlinaAdams.com/live and taking reader feedback on where the story should go next. Again, no one else is doing anything like it, which gives me a promotional hook. Alina Adams, www.AlinaAdams.com 

Be prolific. Whether in fiction or non-fiction, one good book just doesn't cut it to build an audience (unless you've gained personal notoriety outside of writing). Fan bases start expanding after an author's fourth book. Courtney Pierce, www.courtney-pierce.com

Use a tip sheet. Write and distribute a specific type of press release called a tip sheet to the media and bloggers. A tip sheet is a press release that offers tips or advice in a bulleted or numbered format. Media outlets love them, but they can be used in many other ways, too. Sandra Beckwith, www.buildbookbuzz.com

Check out podcasts. I haven't self-published, but I have worked with several authors that have. One strategy that they used to promote their book was to go to the Tune In Radio website and find radio shows that fit the genre/topic of their book. They then reached out to the hosts of each show and got booked on many of them to talk. They were considered an expert on the topic since they wrote a book on it. Getting on radio shows or podcasts in this way can really be good for publicity. Nihar Suthar, www.niharsuthar.com

Create a book trailer. I had a book-trailer made - it was simple to make, didn't cost me anything, and won me an eLit award, plus enough attention that my book is being considered for the big screen (it helps that my daughter is an editor, so she put the finishing touches on the trailer). Niki Smart, www.nikismart.com

Shop gifting? I've also had the guerrilla marketing idea to sneak into the larger bookstores and place a copy of my memoir Hell Camp on all the best sellers display shelves - it's not shop lifting, it's shop gifting. Not sure how much trouble one would get into for doing that, and I haven't had the nerve to do it... yet! :) Niki Smart, www.nikismart.com

Exploit large affiliates. It is important to link up with a larger affiliate so that when there is an event, you can contribute in some way and therefore 'tailgate' onto the larger database and marketing of the larger affiliate. An example of this would be participating in a national on line event (such as World Tai Chi Day, for example) and offering to give a PDF of your book away, then responding to each request with a link to purchase the book on Amazon. Khadi Madama, www.yourstrulyprandmedia.com

Facebook launch. Doing Facebook book launches where you simply give away PDF copies of the book in exchange for the people LIKING your page and putting the book on their WISH LIST at Amazon. Khadi Madama, www.yourstrulyprandmedia.com

Do a Twitter Chat. Be a guest or host a Twitter chat to discuss the highlights and premise of your book. Cheval John, www.vallanomedia.com

Selling foreign rights. Being able to say Translated into 24 languages by publishers in Europe, Asia and Latin America, gave my book a lot of credibility for getting media interviews -- more than 180 radio, television and print interviews so far -- which is key to increasing sales. To find agents, Google foreign rights agents. Lists of publishers' foreign rights agents will come up. Email these agents an exciting pitch with links to reviews and media interviews and see if they'll represent your book to publishers in their market. Selling foreign rights for your book helps sell your book at home. It not only helps you change the world by sharing your book's insights to readers in other countries, it gives your book that extra credibility that can lead to a lot of media interviews and speaking engagements. Elliott Katz, www.awardpress.com

Turn your book into a workshop. Offer to conduct workshops surrounding topics in your book. There are a variety of venues where you can share insights on your book. Women’s conferences, book clubs, Chamber of Commerce. Try to connect with groups where your topic resonates because your book will sell. Dr. Lesly, www.leslydevereaux.com

Reach out to the giants. As you are writing the book (assuming it is non-fiction), position it as something that a large company or association would be interested in purchasing for its clients or members. I approached one of the leading online brokerage accounts to ask if I could use screen shots of their trading platform in my book. Once I had published the book, we negotiated a deal where they bought 2,000 copies to give to a subset of their female clients and I led a webinar they hosted to demonstrate trading examples from the book. Laurie Itkin, www.theoptionslady.com

Blog everywhere you can. I wrote an article for Dailyworth.com called, The Decision That Helped Make Me A Millionaire Before Age 40, which was re-published on Businessinsider.com and received over 360,000 clicks from people all over the world. In the article I included a link to my book, which resulted in hundreds of copies being sold just from that one article. Laurie Itkin, www.theoptionslady.com

Google alerts. Looking for blogs, news links or even YouTube videos related to your book? Google alerts are a great tool to reel them in, using key words that relate to your book as bait. Most of the websites I target come from Google alerts that show up in my inbox daily. James W. Lewis, www.jameswlewis.com

Sometimes it pays to pay. I decided to go for a BookBub ad ($299). The Bookbub day was preceded by one day of an ad by ereadresnewstoday ($20). Much to my surprise the book did 8,338 downloads the first day, and 57.332 downloads on the second day! Ever after the book is selling like hotcakes, leading its categories on amazon.co.uk, ca, au and .com. Only from today (some 14 days after the promo) we are starting to fall a little. Paid advertising in this crowded market definitely pays off! Liesbeth Heenk, www.amsterdampublishers.com

Get a head start. The best marketing tip that I found when publishing my first few books was that the marketing process has to begin 4-6 months prior to a book's release in order for it to be successful. Basically, it's all about relationships. Customers want to do business with people they know, like and trust; if you haven't built up a relationship with them prior to the book's release, they will be far less likely to want to purchase it, especially if it is the first book from an unknown self-publisher. I've seen it happen over and over; writers focus on the book and do nothing to develop their platform. They may have a great book, with an awesome cover and blurb, but when they release it, they don't sell any copies. Feeling like they have failed, they quit writing, as it wasn't for them. They weren't bad writers, though, they just weren't very good marketers...and they didn't know this tip. Chris Kennedy, chriskennedypublishing.com

Make it legit. Apply and pay for Library of Congress copyright and ISBN number. This will allow bookstores and online sellers to catalog and set their pricing. Set up your own company to publish and promote the book. Don't use your own name; get a DBA [Doing Business As] license from your state. This gives the appearance of the book being published by a real life publisher. Richard Donin, m3productions.com

Do a blogger tour. Hire someone to do a 10 - city blogger tour. Ten bloggers, each review your book, one per day. Then create a social media campaign of those blogger reviews involving all your endorsers and pre-order friends for a ten-day blitz! Graciela Tiscareño-Sato, about.me/gracielaTSato

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Micro Business Therapist™ A.Michelle Blakeley is one of Forbes 30 Women Entrepreneurs to Follow on Twitter and author of Zero to 60: How to start a business in 60 days or less. Get your copy on Amazon. She helps new and seasoned entrepreneurs align their purpose, principles, priorities and practices for accelerated growth. Minding the gap between your personal and professional life™ Contact her directly at www.simplicitymastered.com

Tuesday, November 11, 2014

1. Know Your Vision. 

If you don’t know where you’re going, how can you get there?
You need to know what you are trying to accomplish before you begin any project. Writing a poem is no exception. What you visualise will materialise in season. 
Before you begin, ask yourself what you want your poem to “do.” Do you want your poem to describe an event in your life, protest a social injustice, or describe the beauty of nature? Once your know the goal of your poem, you can conform your writing to that goal. Take each main element in your poem and make it serve the main purpose of the poem.

2. Avoid Clichés

Stephen Minot defines cliché as: “A metaphor or simile that has become so familiar from overuse that the vehicle … no longer contributes any meaning whatever to the tenor. It provides neither the vividness of a fresh metaphor nor the strength of a single unmodified word….The word is also used to describe overused but nonmetaphorical expressions such as ‘tried and true’ and ‘each and every'” (Three Genres: The Writing of Poetry, Fiction and Drama, 405).
Cliché also describes other overused literary elements. “Familiar plot patterns and stock characters are clichés on a big scale” (Minot 148). Clichés can be overused themes, character types, or plots. For example, the “Lone Ranger” cowboy is a cliché because it has been used so many times that people no longer find it original.
A work full of clichés is like a plate of old food: unappetizing.
Clichés work against original communication. People value creative talent. They want to see work that rises above the norm. When they see a work without clichés, they know the writer has worked his or her tail off, doing whatever it takes to be original. When they see a work full to the brim with clichés, they feel that the writer is not showing them anything above the ordinary. (In case you hadn’t noticed, this paragraph is chock full of clichés… I’ll bet you were bored to tears.)
Clichés dull meaning. Because clichéd writing sounds so familiar, people can complete finish whole lines without even reading them. If they don’t bother to read your poem, they certainly won’t stop to think about it. If they do not stop to think about your poem, they will never encounter the deeper meanings that mark the work of an accomplished poet.

Examples of Clichés:

  • busy as a bee
  • tired as a dog
  • working my fingers to bone
  • beet red
  • on the horns of a dilemma
  • blind as a bat
  • eats like a horse
  • eats like a bird

How to Improve a Cliché

I will take the cliché “as busy as a bee” and show how you can express the same idea without cliché.
  1. Determine what the clichéd phrase is trying to say.
    In this case, I can see that “busy as a bee” is a way to describe the state of being busy.
  2. Think of an original way to describe what the cliché is trying to describe.
    For this cliché, I started by thinking about busyness. I asked myself the question, “What things are associated with being busy?” I came up with: college, my friend Jessica, corporation bosses, old ladies making quilts and canning goods, and a computer, fiddlers fiddling. From this list, I selected a thing that is not as often used in association with busyness: violins.
  3. Create a phrase using the non-clichéd way of description.
    I took my object associated with busyness and turned it into a phrase: “I feel like a bow fiddling an Irish reel.” This phrase communicates the idea of “busyness” much better than the worn-out, familiar cliché. The reader’s mind can picture the insane fury of the bow on the violin, and know that the poet is talking about a very frenzied sort of busyness. In fact, those readers who know what an Irish reel sounds like may even get a laugh out of this fresh way to describe “busyness.”
Try it! Take a cliché and use these steps to improve it. You may even end up with a line you feel is good enough to put in a poem!

3. Avoid Sentimentality.

Sentimentality is “dominated by a blunt appeal to the emotions of pity and love …. Popular subjects are puppies, grandparents, and young lovers” (Minot 416). “When readers have the feeling that emotions like rage or indignation have been pushed artificially for their own sake, they will not take the poem seriously” (132).
Minot says that the problem with sentimentality is that it detracts from the literary quality of your work (416). If your poetry is mushy or teary-eyed, your readers may openly rebel against your effort to invoke emotional response in them. If that happens, they will stop thinking about the issues you want to raise, and will instead spend their energy trying to control their own gag reflex.

4. Use Images.

“BE A PAINTER IN WORDS,” says UWEC English professor emerita, poet, and songwriter Peg Lauber. She says poetry should stimulate six senses:
  • sight
  • hearing
  • smell
  • touch
  • taste
  • kinesiology (motion)
Examples.
  • “Sunlight varnishes magnolia branches crimson” (sight)
  • “Vacuum cleaner’s whir and hum startles my ferret” (hearing)
  • “Penguins lumber to their nests” (kinesiology)
Lauber advises her students to produce fresh, striking images (“imaginative”). Be a camera. Make the reader be there with the poet/speaker/narrator. (See also: “Show, Don’t (Just) Tell“)

5. Use Metaphor and Simile.

Use metaphor and simile to bring imagery and concrete words into your writing.
Metaphor
A metaphor is a statement that pretends one thing is really something else:
Example: “The lead singer is an elusive salamander.”
This phrase does not mean that the lead singer is literally a salamander. Rather, it takes an abstract characteristic of a salamander (elusiveness) and projects it onto the person. By using metaphor to describe the lead singer, the poet creates a much more vivid picture of him/her than if the poet had simply said “The lead singer’s voice is hard to pick out.”
Simile
A simile is a statement where you say one object is similar to another object. Similes use the words “like” or “as.”
Example: “He was curious as a caterpillar” or “He was curious, like a caterpillar”
This phrase takes one quality of a caterpillar and projects it onto a person. It is an easy way to attach concrete images to feelings and character traits that might usually be described with abstract words.
Note: A simile is not automatically any more or less “poetic” than a metaphor. You don’t suddenly produce better poems if you replace all your similes with metaphors, or vice versa. The point to remember is that comparison, inference, and suggestion are all important tools of poetry; similes and metaphors are tools that will help in those areas.

6. Use Concrete Words Instead of Abstract Words.

Concrete words describe things that people experience with their senses.
  • orange
  • warm
  • cat
A person can see orange, feel warm, or hear a cat.
Poets use concrete words help the reader get a “picture” of what the poem is talking about. When the reader has a “picture” of what the poem is talking about, he/she can better understand what the poet is talking about.
Abstract words refer to concepts or feelings.
  • liberty
  • happy
  • love
“Liberty” is a concept, “happy” is a feeling, and no one can agree on whether “love” is a feeling, a concept or an action.
A person can’t see, touch, or taste any of these things. As a result, when used in poetry, these words might simply fly over the reader’s head, without triggering any sensory response. Further, “liberty,” “happy,” and “love” can mean different things to different people. Therefore, if the poet uses such a word, the reader may take a different meaning from it than the poet intended.

Change Abstract Words Into Concrete Words

To avoid problems caused by using abstract words, use concrete words.
Example: “She felt happy.”
This line uses the abstract word “happy.” To improve this line, change the abstract word to a concrete image. One way to achieve this is to think of an object or a scene that evokes feelings of happiness to represent the happy feeling.
Improvement: “Her smile spread like red tint on ripening tomatoes.”
This line uses two concrete images: a smile and a ripening tomato. Describing the smile shows the reader something about happiness, rather than simply coming right out and naming the emotion. Also, the symbolism of the tomato further reinforces the happy feelings. Red is frequently associated with love; ripening is a positive natrual process; food is further associated with being satisfied.

7. Communicate Theme.

Poetry always has a theme. Theme is not just a topic, but an idea with an opinion.
Theme = Idea + Opinion
Topic: “The Vietnam War”
This is not a theme. It is only a subject. It is just an event. There are no ideas, opinions, or statements about life or of wisdom contained in this sentence
Theme: “History shows that despite our claims to be peace-loving, unfortunately each person secretly dreams of gaining glory through conflict.”
This is a theme. It is not just an event, but a statement about an event. It shows what the poet thinks about the event. The poet strives to show the reader his/her theme during the entire poem, making use of literary techniques.

8. Subvert the Ordinary.

Poets’ strength is the ability to see what other people see everyday in a new way. You don’t have to be special or a literary genius to write good poems–all you have to do is take an ordinary object, place, person, or idea, and come up with a new perception of it.
Example: People ride the bus everyday.
Poets’ Interpretation: A poet looks at the people on the bus and imagines scenes from their lives. A poet sees a sixty-year old woman and imagines a grandmother who runs marathons. A poet sees a two-year old boy and imagines him painting with ruby nail polish on the toilet seat, and his mother struggling to not respond in anger.
Take the ordinary and turn it on its head. (The word “subvert” literally means “turn upside down”.)

9. Rhyme with Extreme Caution.

Rhyme and meter (the pattern of stressed and unstressed words) can be dangerous if used the wrong way. Remember sing-song nursery rhymes? If you choose a rhyme scheme that makes your poem sound sing-song, it will detract from the quality of your poem.

10. Revise, Revise, Revise

The first completed draft of your poem is only the beginning. Poets often go through several drafts of a poem before considering the work “done.”
To revise:
  • Put your poem away for a few days, and then come back to it. When you re-read it, does anything seem confusing? Hard to follow? Do you see anything that needs improvement that you overlooked the first time? Often, when you are in the act of writing, you may leave out important details because you are so familiar with the topic. Re-reading a poem helps you to see it from the “outsider’s perspective” of a reader.
  • Show your poem to others and ask for criticism. Don’t be content with a response like, “That’s a nice poem.” You won’t learn anything from that kind of response. Instead, find people who will tell you specific things you need to improve in your poem.

Sunday, June 1, 2014


How to Become a Successful Poet

Poems are little machines made of words. If you want to make them go, it'll take some work, but you can learn to be a master-tinkerer in the workshop of your poems. By learning as much as you can about the poetry written today and by writing constantly, aggressively, and passionately, you can become a successful poet.
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Part 1 of 2: Getting Started

1
 Study poetry from every era.
Try to learn about the different periods and movements in poetry, from the Romantic era to the Beats, as well as contemporary poetry being written by people who are still alive. If you're going to write poetry in the 21st century, you need to read other poets living in the 21st century.








2 
Write constantly.
A successful poet is one who is constantly engaged with poetry, reading, writing, and revising their work. Successful poets don't wait until "inspiration" strikes to write a poem, they get to work at their desk, computer, or journal, treating the writing of a poem as the work that it is. Like a successful businessman heads to the store and a successful doctor heads to the office each day, the successful poet heads to the poem.
Many successful poets write early in the morning, while other night-owls find it more effective to stay up late and madly dash out their wild verses. Whatever works for you is appropriate, but it's important to develop a writing routine and stick to it. You don't need to write every day, necessarily, but learn what routine will allow you to produce the most good poetry.

3 
Keep a poetry image journal.
Carry it everywhere you go, so that if you come up with a poem or idea, you can jot it down. You don't have to write a full poem every time you sit down to write, as many successful poets build their poems like sculptures, by collaging together little fragments of lines, images, and found language from their image journals. Keep an ear out for weird turns of phrase and nice bits of language that might sneak into your poems.
May poets keep a portfolio or journal of all the poems they're currently working on, to have them in a convenient place for gradually editing and finalising.

4 
Kill your darlings.
A successful poet revises their work. Aggressively. A poem isn't finished just because you typed it up and printed it out, or because it rhymes, or because you like it. An effective poem moves a reader outside of yourself, and communicates. An effective poem is challenging to write, and will only come with great effort and careful revision. Invest in a good craft book and read lots of poetry, finding out what you like and learning from the tricks of the masters. Let poems sit in the drawer for a few weeks, or even months before you return to them with fresh eyes and reevaluate them. In the meantime, keep writing new poems, and keep reading poems you like.

5
 Share your work with good poets and accept criticism gracefully.
Some people will like your poetry, others won't. Don't dwell on what the haters say, but take advice graciously and continue writing and revising your work constantly. Learn everything you can from people who know more than you.



Part 2 of 2: Learning the Trade
1 A successful poet needs to learn about traditional poetic forms and be comfortable writing within strict guidelines as well as free-verse. Can you write a couple lines in iambic tetrameter if the poem calls for it? What about a villanelle? Studying traditional forms will make you a better reader and a better writer.

2 
Consider studying poetry formally.
Many schools, community centers, and libraries offer after-school poetry workshops as an extra-curricular activity for reasonable prices, where you can read others' work, study poetry, and participate in a poetry workshop. If you are lucky enough you’ll find some free workshops, but whatever you do be hungry for success. In a workshop, you'll all share new work and critique everyone's work in a welcoming environment. It can be a great way to improve drastically, both by getting an experienced teacher and other poets' feedback.
At the college level, studying poetry is a fundamental part of any creative writing program, and most English departments offer a wide variety of poetry courses that a successful poet would be foolish not to pursue.

3 
Research venues that will publish your work.
It's a sad truth: more poetry is published every successive year, and less of it is read by the average reader. There are literally hundreds of high-quality literary magazines publishing poets like you, people who engage with poems, love reading them, and want their voice to be heard. Book prizes are also common, for a small reading fee. If you've got enough poems to put a book together, try entering your manuscript and seeing what happens.

4 
Figure out how you're going to make money.
Walt Whitman worked as an ambulance driver and a nurse while he wrote his classic American poems, while Frank O'Hara worked at an art museum and wrote poems on his lunch break. Many poets seek careers in academic fields, while others become musicians, truck drivers, or parents. Whatever you do, keep writing your poems, and take your art seriously.

5
 "Read your poems to a construction worker on his lunch break."
Amiri Baraka, mid-century American Poet and performer, famously offered the advice that poets should read their poems to construction workers on their lunch break, and that if they didn't get beaten over the head, they might actually have something. It's good advice. There's a lot of noise in the world, and your rhyming poem about a bird on your windowsill might have a hard time cutting through the noise. A successful poet finds some way to do just that.
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Tips
   Always write with a free mind. Don't make haste to finish the poem, it takes some time for you to fully dwell on the poem. It requires the feeling!
   Try to write poems requested by a reader. This gives much more experience than compared to the one written out of interest.
   Try writing with different styles and moods to see which fits you best. Ask yourself, "how can I best portray my voice/message." Poetry is as much for other people as yourself.
Be you and you yourself...that will bring out the inner feelings of you and help to convey those feelings in rhythmic words because that's what poetry is all about!

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